Latest Fourth Estate Articles

Courtesy of Maria Carabelli

BY KARLOS CORIA, STAFF WRITER

“It’s just me being honest. I don’t know any other way to do it.” That’s how celebrated New York Times best-selling author Jason Reynolds described his approach to writing about difficult topics during a candid conversation with students at Mason on Tuesday, April 1. Hosted by Professor Brenna Maloney’s COMM 369 class, Reynolds spoke candidly to students crowded into a small conference room, sharing insights on reading, writing, and his creative process.

Reynolds, known for his young adult novels such as “Long Way Down,” “Stamped” and “Miles Morales: Spider-Man,” emphasized authenticity as the cornerstone of his craft. “We like to deify our own work,” he said, pushing back against self-important tendencies that can creep into storytelling. He roots his narratives firmly in lived experiences: “I’m super emotional. I grew up a sensitive kid in a tough household.”

Throughout the discussion, Reynolds underscored the importance of both practice and creative discipline for aspiring writers. “Practice and creativity— that’s what writing is about,” he said plainly. He was equally adamant about the necessity of reading as a means to master the craft: “You need the rules so that you understand—so that when you break the rules, you know how.”

When asked how fiction storytelling techniques could inform journalism, Reynolds praised stylistic elements often overlooked in traditional reporting. “I love repetition, I love refrain. I rarely see it in journalistic work—but I’d like to.” Still, he cautioned students to value clarity above all else: “Don’t be fooled, everybody. Nothing beats a short, lucid sentence.”

Reynolds also spoke openly about periods of creative stagnation, recalling how, during the COVID-19 lockdowns, he found inspiration in an unlikely place. “I read the ‘Captain Underpants’ books over and over again,” he said, grinning. “Those books are genius.” This unlikely source of inspiration sparked a breakthrough. When he finally began writing his acclaimed book “Long Way Down,” Reynolds said, “I was done in 20 minutes.”

The conversation took a deeper turn when Reynolds addressed the portrayal of real-world issues through fiction. He described fiction as “less rigid,” explaining that facts inform stories, but the narrative freedom fiction offers makes difficult topics more approachable and impactful.

A highlight of the conversation was Reynolds’ response to a student asking about Miles Morales, Marvel’s Spider-Man, whom Reynolds helped shape into the beloved hero audiences know today. 

While the late Stan Lee famously expressed the idea that, “Anyone can wear the mask,” Reynolds pointed out the significance of Morales’ Black and Puerto Rican identity: “We live in the real world. Anyone can wear the mask; some people can wear it a little easier.” He added, smiling knowingly, “Spidey sense ain’t nothing but an instinct yo’ [sic] mama gave you.”

Reynolds explained that his goal when developing Morales was straightforward. “I wanted to make Miles feel a little more grounded, more rooted in his youth,” he said. The approach resonated strongly with students, who listened closely as Reynolds demystified his process and encouraged them to trust their own instincts. “The hardest part about the work that we’re doing—the work that you’re doing—is trusting yourself,” he reminded them.

Before concluding, Reynolds underscored the responsibility and power writers carry, reminding students that today, audiences might only remember the newspaper’s name, but it’s essential to recognize that “The writer is the engine.”

Reynolds’ visit left students with practical advice and a renewed appreciation for the craft of writing. Perhaps his most resonant message was also the simplest: honesty is always the best policy, in writing as in life. As Reynolds himself repeated, “It’s just me being honest. I don’t know any other way to do it.”

Nylah Mitchell/Fourth Estate

BY NYLAH MITCHELL, COPY EDITOR

When you think of thrift stores in Northern Virginia, you’re potentially thinking about Unique in Falls Church near Mosaic. While Unique is great, there are many more underrated local stores around the DMV. Whether you’re looking to up your thrifting game, or already consider yourself a connoisseur, this guide is for you. 

2nd Avenue 
Location: Alexandria, VA (8750 Richmond Hwy) 

Down on Richmond Highway, 2nd Avenue is a thrift superstore offering a wide selection of tops, bottoms, footwear and household items. The store provides daily discounts on color tags for extra savings. I scored a vintage cream, 100% Irish wool sweater here, which I pull out every winter to pair with baggy jeans and Uggs.  

B-Thrifty
Location: Annandale, VA (4223 John Marr Dr)

Located next to a Goodwill—perfect for a quick two-in-one stop—B-Thrifty is the place to find racks of button-downs and shoulder purses. The gigantic and spacious layout means you’ll likely leave with your arms full of vintage Ralph Lauren and Calvin Klein finds.  

Georgetown Flea Market
Location: Washington, D.C. (1819 35th St NW)

*Open Sundays from 8 a.m. to 4 p.m.

While the flea market is in D.C., this spot is great to meander through with a friend and browse trinket-filled tables. You’ll find vendors selling streetwear, and you’ll often see college-aged shoppers roaming about and peering through racks. Alongside the resellers, other vendors sell handmade items such as quilted jackets and jewelry. I purchased a small gold-filled snake chain that hasn’t tarnished, and I’ve worn it every day since then. 

Prime Thrift Georgia Ave
Location: Washington, D.C. (6101 Georgia Ave NW)

If you’re planning a “thrift day” in the District, make your way over to Prime Thrift on Georgia Ave. You’ll find popular and trendy brands like Reformation, Princess Polly and Urban Outfitters as well as an impressive selection of vintage labels at affordable prices. Some shoppers even argue that it’s cheaper than Goodwill. 

Value Village 
Location: Silver Spring, MD (10121 New Hampshire Ave)

While it’s a bit of a hike from campus, Value Village in Silver Spring—connected to Unique Thrift Store—is argued as one of the best thrift shops in the Maryland-Washington area. Because it’s twice the size of the aforementioned recommendations, you’re almost guaranteed to find something. One TikTok creator found a vintage dark brown Hermès cashmere coat and an ivory Burberry trench coat for $8 each. 

Estate Sales 
Location: Across D.C., Maryland and Virginia 

While this  isn’t a specific store, estate sales in the metropolitan area are severely underrated. Frequent neighborhoods that host sales are Chevy Chase (D.C.), Georgetown (D.C.), Alexandria (VA) and McLean (VA). These sales feature everything from political memorabilia (campaign pins, posters, bobbleheads and vintage newspapers) to closets full of business-formal clothing for internships and events. Even if nothing catches your eye, the homes alone—often complete with unique Washington-esque architecture and interior design—are worth the walkthrough. Visit Estatesales.org, Estatesales.net, or Maddy | Estate Sales on TikTok for estate sales happening in the area. 

Tips for Thrifting: 

As you thrift more, you’ll find that there are some ways to maximize your time while finding cool pre-loved items. First, before you plan a day at the thrift store, I suggest creating a list or a Pinterest board to lay out top-priority items to avoid wasting time mindlessly searching. Second, bring reusable bags like totes to avoid paying extra for store-issued ones. The best time to go thrifting is during the week, but if the weekend is best, try to visit early to beat the afternoon rush. Lastly, reserve a couple of hours to spend time browsing through racks to find some hidden gems. 

(Photo provided by Christopher M. Ackerman Sr.)

BY  IOANNIS VLAHOS, STAFF WRITER

On Feb. 3, Christopher M. Ackerman Sr. was named as Mason’s Vice President of Human Resources and Chief Human Resources Officer. To Ackerman, this appointment is a homecoming. “[It] is both a professional honor and a deeply personal milestone.”

Ackerman, now filling the role, will oversee the department to a campus of over 8,100 employees. It sounds daunting, but according to Ken Walsh, Executive Vice President for Strategic Initiatives at Mason, he’s the “right man” for the job. 

“Chris brings to George Mason extensive executive leadership in all aspects of human resources management and a proven track record of collaboration and achieving excellence in HR practices in environments that demand precision and innovation,” Walsh said.

Ackerman was  enthusiastic about his new role within the Mason community, stating, “I am proud to be part of Mason Nation and excited to collaborate with the George Mason community to create a people-first culture that empowers our diverse workforce and fosters an environment where talent thrives and innovation flourishes.”

Before joining the Mason faculty, Ackerman served in human resources roles at several universities, including the University of California, Berkeley, Howard University and most recently, Stanford University. 

At Stanford, Ackerman was head of client human resources services for SLAC National Laboratory, a U.S Department of Energy facility run by the university. There, he implemented an enterprise-level HR strategy as well as facilitated communication and cooperation with the executive leadership, over  a workforce of approximately 2,000 employees. 

An adept leader while at Stanford, Ackerman was responsible for duties such as, enhancing performance management systems and integrating strategic workplace planning to meet organizational directives at SLAC. 

He also served as chief human resources officer at HCA Healthcare, located in Northern Virginia, for five years. There, he played a big part in enhancing the attraction and retention of employees, establishing strategic partnerships, and implementing initiatives that improved organizational efficiency.

Emma Schaible/Fourth Estate

BY BARRETT BALZER, NEWS EDITOR AND IAN VLAHOS, STAFF WRITER

On Feb. 13, Mason students and faculty received an email from Information Technology Services detailing an executive order by Virginia Governor Glenn Youngkin banning the use of DeepSeek AI on university-owned devices and networks. A rising AI platform, Deepseek AI, is said to be a better version of ChatGPT but has raised concerns about data protection and privacy. 

Executive Order 46, signed by Virginia Governor Glenn Youngkin and attested by Secretary of the Commonwealth Kelly Gee on Feb. 11, details the ban, stating it “raises significant security and privacy concerns that call for similar restrictions on Commonwealth of Virginia devices.”

In accordance with the executive order, Mason has forbidden the use of DeepSeek AI, preventing any person on campus wifi, with a campus-issued device from accessing the AI platform. The exceptions included off-campus use with personal devices, or for certain employees for law enforcement-related purposes, as said in the email. 

According to a report by the Associated Press, the users’ data is stored within the People’s Republic of China. Feroot Security, a Canadian security company, first found the potential data leak. The Associated Press stated that Feroot Security did not observe data being transferred over to China. 

Concerns were raised due to information found about user data being sent to China Mobile, a state-owned telecommunications company, according to the Associated Press. China Mobile is barred from operating in the United States. 

Chief AI Officer and Associate Dean for AI Innovation at Mason Amarda Shehu, when asked about her thoughts on the ban, said, “It is difficult to determine what a model is capable of doing. One side of the coin allows researchers to figure out what it does. The other side is not quite sure what the mode is capable of or what you might expose.” 

Alex Tabarrok, an economics professor and chair at Mason’s Mercatus Center, said that the national security concerns are “unproven” and “probably overblown” but stressed the need to be mindful of the role of AI in future conflicts. 

In February, DeepSeek AI had amassed 61.81 million users, according to Backlinko, making it the fourth most popular AI app to date. It was said that DeepSeek AI was the rival to ChatGPT.

Explained by Newsweek, “DeepSeek-R1 claims to rival OpenAI’s model in reasoning and mathematical problem-solving. The platform’s ability to generate Python code more effectively than ChatGPT has been a highlight in discussions among tech enthusiasts.”

Amarda Seshu had other ideas when asked if DeepSeek would become the new ChatGPT. “Whenever there is a new model out, there is the novelty effect, folks want to try it out.” Later stating, “It is not the best performer, a little bit better one on a few tasks, overall, it was acceptable but not necessarily the replacer of ChatGPT.

The Fourth Estate has reached out to Governor Youngkin for comments about the ban but has not received a response.

Declan W Rees/Fourth Estate

BY DECLAN W REES, STAFF WRITER

On April 9, the Student Government Presidential Debate was officially underway when the four tickets took to their podiums. The election offers students the opportunity to cast their ballot in favor of the candidate and platform that best aligns with their interests and values. One position unified students: prioritizing engagement with the larger student body and creating better relationships with Registered Student Organizations (RSO’s).

The candidates running for President and Vice President consisted of Ilia Sheikholeslami – Charlotte Bell, Jae Boyd – Max Applbaum, Evelyn Johnston – Zach Lincoln and Isaiah Grays – Jonathan Dubois.

The Vice Presidential debate started after opening statements, though both Applbaum and Lincoln were absent, their running mates—instead—took the podium. The candidates were asked by a panel, composed of members from the Student Governments Elections and Disputes Commission, on how their role would work in conjunction with the undergraduate student president.

Candidate Charlotte Bell emphasized the importance of working alongside her running mate by “holding weekly meetings [so that we can be] united.”

Presidential candidate Jae Boyd followed up by highlighting that she and Applbaum “have an established relationship when it comes to working together.” Boyd added, “We want to do weekly updates on social media about what we are both doing because this is a combined effort.”

Johnston, on behalf of Lincoln, advocated on his abilities as someone with experience in local government and as someone she has worked with before.

Dubois ended the first round of questions by stating his intent to “act as a devil’s advocate” to the president to ensure that they could offer the best service to the student body.

A focal point of the debate was to address the disconnect between the student body and the Student Government. The vice presidential candidates spoke on their positions to attract commuters to campus activities, as the on-campus population totals around 21% of the undergraduate student body.

The Sheikholeslami-Bell ticket pointed out that in an effort to increase commuter student involvement in campus life, it could be beneficial to create “first year tool kits.” These tool kits would then be handed out at orientation and outline resources and opportunities available on campus.

Both the Johnston-Lincoln and the Grays–Dubois tickets similarly addressed the lack of utility and faultiness that Mason 360 has experienced as a community engagement resource and intended to push initiatives to update the app.

Jae Boyd pushed further with intentions to connect with incoming first years over the summer, acknowledging that “[many]commuters are freshmen.” 

Once the presidential candidates took the stage, they spoke on their top priorities if elected as the next student body president. 

Sheikholeslami proposed the creation of a disabilities resource center on campus, stating that though the Office of Disability Services provides accommodations, there should be a student communal space.  

Johnston spoke on issues regarding campus facilities, such as, slow elevators, inconsistent Wi-Fi connections, and black mold in campus housing.

Grays emphasized that his top priority would be internal student government accountability, as “the reality is it’s disorganized.” Grays added, “We’re going to be on our 46th president and the issues we’re campaigning on are issues that have been here for a while.”

Jae Boyd highlighted her background as the President of the Women in Law Association and stressed her intent to work alongside other RSO’s as president. “Changing the culture,” Boyd said, is her utmost focus. “If the culture of student government is not welcoming, then we can’t [all] work together.” 

Voting begins on Monday, April 14 at midnight and closes Friday, April 18 at 11:59 p.m. To vote, visit Student Government or via the form here. 

Nawaal Nackerdien/Fourth Estate

BY LOUIS VOLKER, STAFF WRITER

What do musicians like David Bowie, Nine Inch Nails, Daft Punk, Prince and Doja Cat all have in common? Lady Gaga, apparently. Gaga’s eighth studio album MAYHEM is finally here after a guerilla marketing scheme that hijacked the Grammys and mounted speculation about her long awaited return to the dance pop/club style that launched her into stardom almost two decades ago. 

I am happy to report that not only is maximalist Gaga back, but she might just be at her very best with MAYHEM, an album that blends together all the best pop and rock sounds since the 1990s and yet still forges even more evolution for the star’s ever-changing style and presence. 

MAYHEM rewinds back to her avante-garde club sound of 2008. This time, she doesn’t allow the pulsating synths and layered percussion to outshine the powerhouse vocals that have dominated her sound over the past five years. Gaga establishes this with the singles “Disease” and “Abracadabra,” the latter of which might be my favorite pop single since “Von Dutch” heralded in Charli XCX’s Brat album rollout. 

Gaga still manages to flex her vocal power without ignoring her ability to use her voice as a fellow instrument on tracks like “Killah” featuring French producer Gesaffelstein, known for his abrasive and percussive approach to electronic music. 

While maintaining her early theme of grunge throughout, as communicated by the black and white album cover art, MAYHEM covers a wide range of influences. References to an almost 2010s sound in tracks like “Perfect Celebrity” recalls groups like Muse and Fall Out Boy while standout track “Zombieboy,” is reminiscent of Daft Punk’s Random Access Memories. Songs like “How Bad Do U Want Me,” undeniably contain sounds inspired by the Jack Antonoff plucky-synth pop music landscape that is forever influenced by Taylor Swift’s 1989 album. 

“Killah” features a perfect blend of inspiration from previous decades of artists in order to create something totally new and awesome. The track manages to combine David Bowie-esque vocals with drums and bass. This creates a late-‘90s Nine Inch Nails demo sound. The organic Prince-like guitar riff compliments her vocals and marries them with the more digital sounds of the track. 

While the entire album is for the most part a seamless product of different references, it is still undeniably Gaga. It balances homage with the reckless originality that made the world take notice of her in 2008 and is more than enjoyable. There is not one song on the album that doesn’t make me want to dance or sing along, and most songs excel at making me want to do both. 

Nawaal Nackerdien/Fourth Estate

If there’s any track that doesn’t fit perfectly within the multitudes of the MAYHEM universe, it’s the hit soul ballad “Die With a Smile.” The Grammy-winning Bruno Mars collaboration topped the charts with its August 2024 release. The smooth, organic production is by no means a bad single, but feels as if Gaga added it to the end of the album out of obligation due to its massive success.

A track such as the album’s 12th song, “The Beast,” would have worked better as an ending to the refreshing homecoming that is MAYHEM and would have provided a more satisfying conclusion to what is already a satisfying return to form. 

MAYHEM heralds a more rock-influenced alternative to the club music that has dominated pop since Charli XCX’s Brat summer of last year. Its perfect marriage of early influences and all of Lady Gaga’s several strengths as a recording artist earns it a rating of 4 out of 5 stars, held back only by a clunky inclusion of “Die With a Smile” to end the album.

Christian Segovia/Fourth Estate

BY GABRIELLE PAMOR, STAFF WRITER

George Mason’s APAC Night Market, held Friday, April 4, transformed the campus into a bustling celebration of Asian-American culture, inviting students, faculty and local residents to experience an immersive world of food, art and vibrant performances. From 6 p.m. to 10 p.m., Mason Pond and the surrounding mini plaza by the Center for the Arts and Buchanan Hall came alive with a panorama of colors, sounds, and aromas that reflected the diverse spirit of the APAC community.

Upon arrival, attendees were greeted with a goody bag containing snacks, stickers, and a take-home crochet project, adding a fun and creative touch to the evening. As people entered the market, the atmosphere felt like a fusion of festive street markets and a lively block party. The air was filled with the sounds of music, laughter, and sizzling food. 

The central stage was positioned behind the food vendors, with continuous acts ranging from energetic dancers to soulful singers and indie bands. Every performance added a new layer of excitement, drawing attendees from all corners of the market toward the stage.

Ryan Pascual, a senior IT major at Mason and guitarist for the band msgloria, reflected on the market’s layout,  “The setup had an area for various types of vendors of different small businesses selling various arts and crafts. There are a lot of Asian-owned businesses, some of them owned by Mason students themselves.” 

Pascual’s band performed on the main stage with a dynamic set that energized the crowd. “Being able to perform on that stage with that crowd filled with energy was amazing and definitely a highlight,” Pascual said. “The atmosphere was great. APAC Night Market is always a great place to reunite with old faces and meet new people. The performances were the highlight as it gives the opportunity to show off everyone’s incredible talents.”

Food trucks lined up several feet from the stage, drawing visitors with irresistible aromas . From savory grilled meats to sweet cultural desserts, there was something for every taste. Pascual shared his favorite: “[The] lychee strawberry lemonade from [the] Thai vendor tasted very refreshing.” 

Nearby, HoMade Sweets offered an assortment of cookies that ranged from taro to lavender tea, while Yummie Thai Kitchen served mouthwatering curry dishes. Everywhere, people were eating, laughing, and enjoying the lively ambiance.

The market was also a place to discover unique art and cultural items. Vendors displayed handcrafted jewelry, vibrant stickers, tote bags, and cultural merchandise. On the left side of the plaza, Mason organization tables showcased student-led initiatives, while the other side was filled with booths selling art and other creations. 

Justine Arenas, a senior majoring in business management information systems at Mason and bassist for both Viloria and msgloria, noted the diverse crowd. “It was really fun seeing familiar faces. It was cool seeing people crowd the stage for the performers,” Arenas said. “It’s my second year performing here, and I really enjoy sharing music with people and seeing them get hype. We even had a mini mosh pit, which was sick.”

(Courtesy of Ryan Pascual)

Christian Segovia, sports editor at Fourth Estate, captured the camaraderie the event fostered. “Honestly, just being able to cheer on my buddy Ryan and scream for his band, msgloria, as they performed, because they did amazing,” Segovia said. The sense of community and shared enthusiasm was palpable as friends cheered on performers, and strangers struck up conversations over food or at the art booths.

“The setup had an area for various types of vendors of different small businesses selling various arts and crafts,” Pascual noted. “The atmosphere was great. You could really feel the bond in the crowd.”

As the night wound down, the market was still buzzed with excitement. Whether it was the lively performances by Viloria and msgloria or the delicious food, every corner of the market offered something special. “It was great to see everyone reconnecting with friends, meeting new people, and cheering each other on during the performances. You could really feel the bond in the crowd,” Segovia said, reflecting on the community spirit that made the event memorable.

Colorful lights, festive decorations and upbeat music converged to create a space both celebratory and inclusive, offering everyone a chance to connect and appreciate the rich cultural traditions that make the APAC community so special.

Katie Perschau/Fourth Estate

BY KATIE PERSCHAU, STAFF WRITER

The Black Student Alliance (BSA) at George Mason hosted its fourth annual fashion show, Love and Lust, on Saturday, March 29. The show explored a range of emotions through handmade and curated looks, a live DJ, and talented performances on the runway. 

BSA models walked a candle-lined runway lit with glowing colors, immersing the audience in a journey of emotions to tell the story of love. The show began with red lights to symbolize the first emotion: lust. 

“Red is bold, fiery, and impossible to ignore. It embodies passion, intensity, and undeniable allure…red is the color of attraction, stimulating the senses and waking deep emotions,” the show’s narrator said. 

As dramatic music played, models prowled the runway in reds, velvets, lace and leather. They struck powerful and seductive poses while engaging with the audience by dancing and blowing kisses. One model stripped off a black silk robe, revealing chain-link body jewelry, and another wore a corset dress accessorized with pearls and a feather fan. 

To signal the end of the first theme, three models slunk down the runway in simple yet bold dresses, drawing in the audience with confidence and daring glances. 

When the lights blended into green, the narrator explained how the color embodied envy, desire and longing. Models wore earthy greens, softer fabrics, vests and buttoned coats. 

To emphasize the theme, some models pretended to argue and push each other aside. They strolled casually, and several sent teasing waves to the audience. The final look for the green theme featured an outfit made entirely of crocheted fabric. 

The next color, black, was a stampede of leather accessorized with masks, shades and purple lights. Rhythmic rap music played for the models’ energetic walks. Wearing streetwear and gesturing insults at the audience, the models commanded the runway for one of the show’s most upbeat and intense segments. 

“In fashion and visual media,” the narrator said, “Black often conveys seriousness, defiance or hostility, emotions that arise in moments of anger.” 

Katie Perschau/Fourth Estate

Purple lights faded to blue to signify the transition to sadness. A model wearing a veil of beads resembling tears walked the runway, followed by models in flowing blue outfits pretending to wipe away sobs. The looks included striking details such as gems on the models’ cheeks and shimmering silver jewelry. 

The final theme of the show was true love. This theme was depicted using the color white to symbolize the pure, unconditional aspects of love and true affection, the narrator said. Models wore white lace, dresses, pearls and suits, and some handed flowers to the audience. 

Praising the BSA’s creativity, audience member Meagan Raubenolt said, “I thought it was fabulous. Everyone was so confident and looked beautiful, and it was a lot of hard work put together from a lot of great people.” 

Rehearsals for the show began in the fall of 2024. The BSA’s fashion show not only told a beautiful, emotional story of love but also showcased the organization’s talent and originality. 

“It was definitely a surreal experience seeing my vision from a Google Doc come to life…I’m so beyond proud and grateful for all the work everyone put into the show, and it was a beautiful success,” said Director Skye Callaway.

Sam Douglas/Fourth Estate

BY BRIAN A. HAYUM, STAFF WRITER

On April 1, the Mason Board of Visitors held a meeting to review the proposed budget for the upcoming fiscal year. The budget details a 2.5% increase in tuition and mandatory student fees. The budget, if approved at the April 10 Finance and Land Use Committee meeting, would raise tuition price for undergraduate and graduate programs by a minimum of $264 for in-state students and $528 for out-of-state.

 “George Mason continues to prioritize access and affordability despite rising costs and operating in the most expensive region in the Commonwealth,” read one presentation slide. The price hike is said to “support critical infrastructure investments” in response to “rising costs and market compensation.”

(Courtesy of Board of Visitors)

Despite highlighting the affordability and accessibility of attending Mason, the budget calls for additional investment to match the university’s ascendance in state and national rankings.

“We are very proud of our continued increases in rankings across the Commonwealth and United States….We believe these rankings help strengthen the value of a George Mason degree….

 However, we still have a funding shortfall,” said Executive Vice President of Finance and Administration Deb Dickenson.  

“We are doing what we can on limited resources. We need the tuition dollars to support our faculty and staff retaining critical staff, expanding in innovative fields and building our infrastructure where our systems and infrastructure are behind,” said Dickenson

A tuition increase constitutes a large part of the cost of admission but not all of it. Mandatory student fees would also increase by 2.5% and would total $96 for both graduate and undergraduate students. The increase “covers all the services and programs and infrastructure that all students have access to,” said Vice President of University Life Rose Pascarell. 

 The partnership between University Life and athletics was highlighted as another need for investment. “One of the ways we want to invest is in athletics,” Pascarell said. “The partnership that university life has with athletics really provides us with an opportunity to increase engagement.”

“We [Mason Athletics] have been underfunded for a number of years, and the resources have not kept pace with the expenses to maintain a competitive program,” Athletic Director Marvin Lewis said. “My goal is to provide a holistic student athlete experience and one that the university can be proud of. To do that, we have to increase the investment in athletics.” 

Despite the call for additional investment, Visitor Horace Blackman highlighted the balance between the school’s affordability and need for additional funds. “There is a bit of a chicken and egg problem,” Horace explained. “To raise more money, you have to have more infrastructure. To get more infrastructure, you need more money. At some point, it is like living in a house that is really old, and you cannot do any more attachments or upgrades. You have to knock it down and build it again.”

The Finance Land and Use Committee will vote on the proposed budget on April 10. If approved, the full board will vote on the bill on May 1.

(Photo courtesy of TMDB)

BY PHILLIP KIM, STAFF WRITER

Disney’s Snow White is on track to becoming one of the first box office flops in 2025. The once-powerful House of Mouse has been struggling to win back audiences for several years. 

Several franchises under its ownership, namely Marvel and Star Wars, have gone from cultural icons to financial disasters and controversy magnets in that duration of time. In many instances, the casting of non-white, female, and queer actors have caused heated online backlash. Snow White was no different—only it should have been.

The musical fantasy film stars Colombian-descent actor Rachel Zegler as Snow White, a character famously named after the color of her skin. Fans of the 1937 animated classic complained that Zegler bore little resemblance to the cartoon drawing they knew and loved. Did such conversations often take a racist turn? Indeed.

However, irrational arguments developed on the other side of the spectrum as well. Too many attempted to push back against the racism and ended up resorting to the age-old “I don’t see color” rhetoric.

One thing was made abundantly clear once the film hit theaters: the filmmakers had little interest in making a reenactment. Changes were present throughout the film. The evil queen only cared about beauty for the sake of power. Prince Charming was replaced by a Robin-Hood-esque criminal. The protagonist was no longer a helpless damsel in distress but a revolutionary.

In other words, live-action Snow White belongs to a particular category of remakes commonly referred to as ‘reimaginings.’ Its primary purpose is to tell an almost entirely different story inspired by the original production.

A good comparison is Guillermo del Toro’s Pinocchio. The 2023 Netflix animation changed the beloved Italian fairy tale’s setting from the late-1800s to mid-1900s. The sly fox is traded for an abusive circus owner named Volpe (fox in Italian), while Pinocchio is taken to a military school toward the end rather than the Pleasure Island.

It would be odd to criticize a film for failing to capture the source material’s looks when its script was never attempting to do so.

The 1937 picture contains relatively traditional ideas of femininity and limited the audience’s perspective to the castle or the forest. Director Marc Webb and fellow producers wanted to tell an alternative version of the story, exploring a more complex female mind and shining light on solidarity amongst the kingdom. Changing the ethnicity of the main character is just one of several artistic decisions made to subvert the original.

“I kept thinking about my daughter and what messages I want to send her way,” The Amazing Spider-Man helmer said in an interview. “There’s something elemental about Snow White’s kindness, but she’s also quite brave.”

A film should be judged based on what it aimed for. A comedy cannot be judged based on how scary it was. A fantasy should not be evaluated based on how scientifically realistic its events were. One can watch Snow White and discuss if its efforts at subversive storytelling were successful, which it wasn’t in all honesty. 

It is also perfectly reasonable to simply wish they had made a straight remake rather than a radical reimagining. To call its casting a failure, when replicating the original movie was never the focus, might be more of a stretch in terms of criticism; just as it is to claim race can be completely overlooked in auditions.

It is concerning that some people decided what to think of the casting decision before understanding the nature of the film. Many arguments on both sides were flawed because they attacked and defended a movie that frankly did not exist—one that hired Zegler solely in the spirit of color-blindness. 

All that time and energy wasted debating whether it was racist to care how an actor looked could have been spent on much more intellectually stimulating discussions. What did the changes in the remake reveal about America then and now? How can art use race and class to create meaning? The list could go on forever.

Disappointingly, that opportunity is now lost, probably for good.

Juliana Marcello/Fourth Estate

BY JULIANA MARCELLO, STAFF WRITER

On April 2, Student Government hosted a teach-in and discussion event regarding the effects of the recent executive orders by President Trump will have at Mason. 

Maria Cuesta, Mason’s student-body president, introduced the organization to the event’s participants. Cuesta explained during her introduction that President Washington’s administration is responsible for implementing and enforcing the executive orders. 

Cuesta urged participants to engage in conversation with the administrators, “We advise you to challenge this. When you are talking to them, ask questions, make sure you know all of the information possible to you, and make sure that when you engage with them you share different perspectives and also listen to them.” 

Cuesta told event attendees to recognize that the administrators are mandated to implement and enforce the executive orders, including orders from the Board of Visitors (BOV), and are at risk of losing their jobs if they (administration) do not follow the mandate. 

“We are starting a coalition called Mason Unite where we have a series of events where you can engage and be an activist for yourself and your community,” Cuesta said while introducing the coalition. “This is the start… getting to know what is happening, and getting all of the information so that you can act on it.” 

Cuesta encouraged the Mason community to not only attend, but to engage in any form. Cuesta said, “We really ask you to engage with this, if you can’t come we have a flyer up on our student government Instagram, you can share, make sure students are aware of this if they want to pursue this opportunity.” Cuesta promoted the Student Government’s Instagram for latest event updates with Mason Unite. 

“Keep showing up,” Cuesta said, “keep engaging in these conversations and clicking and sharing this information.” Multiple members of the Student Government then continued this sentiment, encouraging the Mason community to show up, follow online, as well as giving some tips for the rally. 

The student rally happened this past Friday at the Department of Education building in Washington, D.C. The “Hands Off Our Schools” rally included the Mason Student Government as well as student organizations from neighboring universities. The rally included speakers such as former U.S. Representative Jamaal Bowman (NY-16). 

“The more people that show up, the more change that we are able to make. There’s power in numbers” Cuesta said at the discussion event.

Future events will be posted on the Student Government’s Instagram. 

Declan W Rees/Fourth Estate

BY DECLAN WILLIAM REES, STAFF WRITER

On April 2, George Mason University Coalition for Palestine (GMU4palestine) gathered at Wilkins Plaza for their second “Week of Rage” event, where organizers demonstrated around an “Apartheid Wall”  centerpiece. The other events included a “Healing Circle” and film screening. The “Apartheid Wall” is marked as the first Palestinian-cause demonstration on the Plaza since Students for Justice in Palestine (SJP) was suspended and the FBI raid of two students’ homes in November.

Prior to the event, a number of Mason police officers, including Chief of Police Carl Rowan Jr., were spotted next to an unmarked vehicle scouting out Wilkins, dispersing moments before the student organizers displayed the art sculpture. 

Moments later, organizers exhibited an interactive archway piece inspired by the Aida Refugee Camp in Bethlehem. When asked what the symbolism behind the arc was, an organizer explained the significance of “highlighting the segregated society that Palestinians live in, separated by walls overseen by Israeli military governance.”

“The right of return” was the focal point of the event. “The right of return” has been argued as an  international law since 1978. Stated in a study brought to the United Nations in the same year, the “right of return” is the right that all people, including stateless persons and refugees, be guaranteed the right to return to their place of origin and family’s home. The right is often invoked to call upon the return of refugee groups to their country from which they were displaced.

(Photo credit: GMU4palestine)

Artworks on the archway featured content of the Palestinian experience, from description of expulsion from Palestinian territories, stories about resilience and “sumud,” meaning steadfastness in Arabic.

One poster read, “WE ARE STILL HERE,” with a woman wearing a keffiyeh scarf wrapped around her head, and another woman wearing traditional Native American earrings and garments, suggesting a shared solidarity between the two communities.

Declan W Rees/Fourth Estate

A noted piece of the “Apartheid Wall” was a Muslim woman wearing a hijab holding up a key with olive branches in the background. The key alludes to the many Palestinians possessing old keys to their homes after the 1948 Nakba. 

Many passersby stopped at the archway and talked with one another about the subject of Palestine, protections of free speech and the ongoing interim suspension of the SJP.

During the event, a student passing by raised their fist and chanted, “Free, free Palestine!” When approached for an interview, the student declined and explained that due to the increased presence of ICE on campus and the crackdowns on international students nationwide they were worried that an interview would put a target on their back, as they believed that speaking out could jeopardize their education, safety, and future.

One student felt “a desire for change,” and “wished that more people cared.” They expressed that “it feels like empathy has become something of a political and philosophical debate, rather than a human feeling.” 

Another Mason student was vocal about their support for the event. “Anyone living in the United States should be paying attention [because] we are directly involved,” the student said, further emphasizing the importance of Mason’s diverse campus and the significance of the Palestinian people. 

Throughout the event, students occasionally passed by and pumped their fist; others wrote a note to hang on the arch. One message read, “What happens to Palestine will happen to us. Free Palestine.” Students involved in conversations asked each other whether anyone knew when SJP would be reinstated. 

(Photo credit: GMU4palestine )

By the end of the night, some flyers made by GMU4palestine were added to the middle of the archway, reading “DIVEST FROM DEATH” and “GMU AGAINST GENOCIDE.”

Chris Torres/Fourth Estate

BY CHRIS TORRES, STAFF WRITER

Mason baseball capped off a three-game weekend series sweep with a walk-off win against Saint Louis at Spuhler Field. On April 5, sophomore designated hitter Owen Hull hit a walk off home run in the 10th inning, giving the Patriots an 8-6 victory and completing the sweep. 

In game one, April 4, the Patriots built an early lead and defeated the Billikens 7-5. In the first inning, junior center fielder James Quinn-Irons gave Mason an early lead after hitting a two-run home run. Followed up in the second inning, Hull hit a two-run single to make it 4-0. 

Mason’s lead soon disappeared in the fourth inning after junior infielder Ian Blazier and sophomore first baseman Riley Iffrig hit back-to-back two-run singles to tie the game for Saint Louis. 

Junior shortstop Owen Clyne propelled the Patriots in the sixth inning with a two-run single to make it 6-4. The Billikens later cut the lead to one in the eighth inning, but Mason responded with a run as sophomore second baseman Toby Hueber scored off two throwing errors by Saint Louis. 

Graduate student pitcher Gardner Meeks received credit for his first win of the season, pitching 3.2 innings, allowing one run and striking out three batters in relief of graduate student starting pitcher Sam Lavin. 

The Patriots won the second game on April 5, 7-2, in comfortable fashion. In the third inning, Quinn-Irons outfront the Patriots after hitting an RBI double and later scored after sophomore second baseman Jake Butler hit a sacrifice bunt, making Mason 2-0. 

Saint Louis scored in the fourth inning, but Mason responded in their home half courtesy of an RBI groundout by graduate student designated hitter Nick Barenz. By the seventh inning, Quinn Irons hit his second RBI of the game to make it 4-1. The eighth inning saw the Patriots score three runs as Barenz, Clyne, and Hull all hit RBI singles to put the game out of reach.

Graduate student starting pitcher Connor O’Hara pitched 7.2 innings, allowing one earned run and striking out five to get his fourth win of the season. 

In the series finale, the Patriots began with an early lead once again as junior third baseman Evan Blanchard hit a double, giving Mason a 1-0 lead in the second inning. Clyne extended the lead with a two-run single in the fourth inning. Mason junior starting pitcher Brandon Cassedy took a no-hitter into the sixth inning and allowed two hits in eight scoreless innings. 

Lavin added an insurance run in the eighth to seemingly put the game out of reach for the Billikens. However, in the ninth inning, Saint Louis scored six runs, including a three-run home run by Max McGwire, giving the Billikens a 6-4 lead. Butler hit a game-tying single in the home half of the ninth inning for Mason to force extra innings. 

Senior pitcher Britt Yount recorded three outs in the 10th inning to set up the Patriots with a chance to win. Hull stepped up with a runner on first and hit the walk-off home run to right field to secure victory for the Patriots and complete the series sweep of Saint Louis. Hull finished the series 8-for-11 with five RBI. 

The Patriots move to a 20-12 record on the season and 8-4 in the Atlantic 10, placing second behind Davidson. George Mason plays Towson next on Tuesday at 3 p.m. in Maryland.

Emma Schaible / Fourth Estate

BY NYLAH MITCHELL, COPY EDITOR 

As the seasons change and colors become brighter, it doesn’t mean the trending colors of the season are suited for everyone. The best way to understand which colors complement you and boost confidence is by discovering your seasonal color palette. 

Certain colors may highlight aging features, while others may enhance features such as your eyes, freckles and skin tone. For example, if you have pale skin with cool undertones,hues of purple or blue may be more flattering.If you wear light colors like ivory, it could wash your skin out more than a pastel yellow, which would add warmth. 

How to find your colors? 

With a college budget, it may not be feasible to consult a professional service that can cost upwards of $500, or travel to Japan or South Korea for a more in-depth swatching analysis. However, if you’re interested in a local, face-to-face session, visit District Color Studio in Washington, D.C., for a unique, personalized swatchbook. 

If you’re scrolling on TikTok, try the Armocromia filter effect to detect your colors while also determining your complementary metal. Alternatively, you can follow DIY tutorials using draping or paint to arrive at your palette in a more creative way.

The easiest and most convenient way to find your swatches is by using the Colorwise.me generator. Through a two-step process—first, inserting a selfie, and then using the color-picking tool for skin, hair and eyes—the generator will analyze your features using the 12 Seasons System. It will determine your palette based on undertone, intensity and depth. 

Below are testimonials from the Fourth Estate editors about the color palettes they received through the Colorwise website: 

Jamie Gholson, Culture Editor: 

Soft summer is muted colors with cool undertones like moss green and slate blue. “The results were a little surprising just because those aren’t colors I usually go for. I think the color that was the most surprising was probably bright pink because I normally don’t go for that color. I will definitely keep my results in mind when shopping next time,” she said after receiving her results. 

Sam Douglas, Assistant News Editor: 

“Deep winter for me, because I look fly in every color, to be honest,” said the assistant news editor. Deep winter colors have cool undertones, with shades like navy and mocha that are fitting for the strong and intense palette. 

Emma Schaible, Social Media and Graphics Editor: 

“I was disappointed because I’m always told that jewel tones look really good on me and half of my clothes are dark colors. I won’t be giving up any of my dark colors and it probably won’t influence my shopping habits either,” Schaible said after receiving the warm spring palette. A warm spring emphasizes glowy colors with warm undertones, such as coral and golden yellow. 

Christian Segovia, Sports Editor: 

“To me, I’m not completely shocked by my results,” Segovia said in response to being categorized as deep winter. “I always noticed I do well with dark colors, but the few pink ones threw me off.” Similar to Douglas, Segovia’s best colors are black and basil-like green, and he should avoid neutral and autumn-like shades. 

Saahiti Chamala, Co-Editor in Chief: 

After receiving deep winter as her palette, Chamala noted, “I don’t like a lot of brown and reddish brown tones, so I’m happy with the results, but am disappointed that it’s asking me to avoid orange and shades of light yellow.” For the Co-Editor-in-Chief, colors like cerulean blue and mulberry are better suited for her undertones. 

Barrett Balzer, News Editor: 

Soft autumn leans towards more muted and earthy tones with a warm-neutral undertone, such as sepia and almond. “I am not surprised about what I got. I’ve always liked more muted colors, and only a few bright ones actually hit my wardrobe, so I’m not surprised in the slightest. I really enjoy my wardrobe, so even despite the analysis, if it had been shocking, I wouldn’t change it one bit,” she said. 

Why does it matter?  

Whether or not you agree with your matched palette, the complementary colors show a more radiant version of yourself. People can easily detect when someone is wearing the right or wrong color based on how certain features are defined. For example, when we see celebrities on the red carpet, we often comment on how their outfits highlight their features.

Styling tip: if you’re a deep winter and the weather is scorching hot, pair a complementing color with an in-season color. However, keep the upper-body being the complementary color and the lower-body in the in-season color.

With the right color palette, go out there and spread some glow with your complementary colors.

Kam Benson/Fourth Estate

BY GABRIELLE PAMOR, STAFF WRITER

Every spring, as the temperatures rise, the nation’s capital transforms into a sea of soft pink. The cherry blossoms bloom into a spectacular display of natural beauty that attracts visitors from all over the globe. However, what exactly makes these flowers so irresistible, and why do so many people visit Washington D.C. specifically to see them?

Appeal of the Cherry Blossoms

The cherry blossoms are more than just pretty flowers. They symbolize hope, renewal, and the fleeting beauty of nature. For visitors, seeing the blossoms is a way to experience the full awakening of spring. The trees’ delicate petals stretch from branches into a soft cloud of color. As they fall gently to the ground, they create a ‘picturesque’ blanket that draws photographers, nature lovers and tourists to the Tidal Basin year after year.

However, cherry blossoms are not just about visual beauty; they hold deep cultural significance as well. Given as a gift from Japan to the United States in 1912, the trees symbolize friendship between the two countries. Over the years, they have come to represent much more: a reminder of the resilience of nature, the passage of time and the deep connections between people from different parts of the world. For visitors, the cherry blossoms are a way to experience a piece of Japanese culture thousands of miles from Japan itself.

A World-Famous Spectacle

The National Cherry Blossom Festival typically lasts several weeks, featuring cultural performances, parades and other activities. Although the true star of the event is always the blossoms themselves. More than 1.5 million people, both local and international, flock to the capital to witness the breathtaking sight—whether it’s their first visit or part of a long-standing tradition.

Many visitors from Japan view the cherry blossoms as a pilgrimage of sorts. In Japan, the tradition of “hanami,” or cherry blossom viewing, is centuries old. Witnessing the blossoms in full bloom is a major cultural event. For Japanese nationals, experiencing D.C.’s cherry blossoms adds another layer of meaning to the tradition. It’s a way to connect with both their homeland and the shared history between the U.S. and Japan. Whether it’s families with children, photographers looking to capture the perfect shot, or nature enthusiasts appreciating the short-lived beauty of the blossoms, the festival offers something for everyone. 

The Timing and Perfect Conditions

One reason the cherry blossoms are such a major attraction is their fleeting beauty. The blossoms usually peak for only about a week, sometimes less, making the event all the more special to visitors who know they’re catching something truly temporary and magical. The bloom means that people plan their trips months in advance, hoping to time their visit to coincide with the peak blossom.

The Tidal Basin, located near the National Mall, provides the perfect backdrop for this stunning display, with its peaceful waters reflecting the delicate flowers and creating a serene atmosphere. The National Park Service closely monitors the trees, offering updates on the expected peak bloom so visitors can plan accordingly.

Kam Benson/Fourth Estate

International Visitors and Cultural Exchange

The cherry blossoms’ popularity stretches far beyond the United States. For international tourists, particularly those from countries where cherry blossoms hold significance, the D.C. festival offers a unique experience. While Japan is home to its own cherry blossoms, the ones in Washington, D.C. represent a special cultural exchange.

Many international visitors find themselves immersed in the beauty of the blossoms while participating in various cultural events held during the festival. These include tea ceremonies, performances, and exhibitions that help deepen the understanding of both Japanese culture and the U.S.-Japan relationship. 

The Future of the Cherry Blossoms

As the cherry blossoms continue to captivate tourists, efforts to preserve and protect the trees are ongoing. The National Park Service and various conservation groups work to ensure that the Tidal Basin remains a thriving habitat for the trees, while also providing education and resources to help future generations appreciate their significance.

In the end, the cherry blossoms in Washington, D.C. offer a special experience that brings people together from all walks of life. Whether it’s for the beauty, the cultural significance, or the emotional resonance of the moment, there’s no denying that the cherry blossoms are one of the country’s most beloved and enduring natural wonders. And for those who make the journey to witness their bloom, the experience is nothing short of magical.

Sam Douglas/Fourth Estate

BY SAM DOUGLAS, ASSISTANT NEWS EDITOR

On April 1, Mason’s Board of Visitors held a meeting and public comment session, where students and faculty were able to comment to the visitors in-person or submit a comment through an online form. 

Since President Donald Trump’s second term began, a series of federal executive orders and government overhauls have swept across higher education, including the proposed dismantlement of the Department of Education and the blockage of federal funding to schools such as Columbia University and Brown University. 

Mason has felt the effects of these actions: including the renaming of the Office of Diversity, Equity, and Inclusion (DEI) to the Office of Access, Compliance and Community (ACC) in early March. Around this time, The U.S. Department of Education Office of Civil Rights named Mason as one of the 60 schools under investigation for anti-semitic harassment.

Three audience members spoke during the public comment session; the first comment session held during the 2024-2025 academic school year. Commenters spoke on the matters of protecting DEI on campus. 

“Please take a stand for principles and values of openness, diversity, equity and inclusion and join us so that we can all get to the important work of building a better Mason for all students, no matter who they are, where they came from or what they believe,” Tim Gibson, an associate professor at Mason and vice president of the Mason chapter of the American Association of University Professors (AAUP) said.

Bethany Letiecq, a professor and president of the Mason chapter of AAUP, spoke during the public comment session as well, stressing the importance and historical value of DEI.

“Today, I urge you to stand up for us, stand with us, stand for DEI and commit to the free exchange of ideas and upholding the economic freedom right of all who come to Mason to make the world a better place,” she said.

Visitor Reginald Brown responded to Letiecq, defending the board’s recent actions and stance on  DEI. “The reality is that Mason is, in fact, the most diverse institution in the state. The reality of that is a strength. I don’t believe that we are diverse or successful specifically because of the DEI policies at the University today,” Brown said.

A major focus of the meeting covered tuition and Mason’s budget for the upcoming 2025-2026 academic calendar year. One speaker encouraged the board to ensure that the tuition money continues going to services, such as the ACC, that benefit the diverse student body.

The 2025-2026 university budget vote is scheduled by the Finance and Land Use Committee on April 10, and if approved, it will be voted on May 1 during a full board meeting.

Jamie Gholson/Fourth Estate

BY JAMIE GHOLSON, CULTURE EDITOR

Your heart races as a suited man approaches, eyes lock on you. You give your alias, but one wrong answer exposes you. Just like that, your cover is blown at the International Spy Museum in D.C. 

​​The Museum’s latest exhibit, Bond in Motion, brings the world of espionage to life through the lens of James Bond. Visitors enter a high-stakes environment where technology, action, and intrigue come together.

“It was a big moment for us, an exciting opportunity,” said Aliza Bran, the museum’s director of media relations. Bond in Motion is the first exhibit in the museum’s new space since it opened in May 2019. “We set aside a temporary exhibit space so that we could bring in and create new exhibits that could keep our local audience excited about this material and seeing new dynamic spaces,” Bran said.

The exhibit features 17 original vehicles from the James Bond films, offering a behind-the-scenes look at the captivating technology. Visitors can experience everything from the Aston Martin Vanquish, which transforms into camouflage in Die Another Day, to interactive displays that explain the science behind spy gadgets.

Jamie Gholson/Fourth Estate

The Bond franchise began in 1953 with Ian Fleming’s Casino Royale, introducing the MI6 agent 007. The novels were later adapted into a blockbuster film series, starting with Dr. No in 1962, starring Sean Connery. Over the years, different actors — including Roger Moore, Pierce Brosnan, and Daniel Craig — have brought their own flair to the character. A hallmark of the series has been Bond’s gadgets, blending fantasy with espionage.

Jamie Gholson/Fourth Estate

Bran explained how the museum partnered with EON Productions and the Ian Fleming Foundation to bring the exhibit to life. She emphasized the thrill of working with existing artifacts while adding the museum’s own twist. “Artifacts are not traditionally meant to be touched,” she said. “The skimobile set up in the exhibit as a photo op is rare because it’s so exciting to touch an actual artifact. It’s a unique opportunity for visitors.”

Jamie Gholson/Fourth Estate

The exhibit not only highlights Bond’s high-tech gadgets but also provides insight into how the franchise has evolved over time. “That’s what’s so interesting about the Bond franchise. It has spanned so much time that it has changed with the culture outside of it,” Bran said. “Not only do you watch the movies and see the cultural shift, but you also see how the cars and technology in the films mirror our evolving world.”

Jamie Gholson/Fourth Estate

For visitors like Hallie Tran, a graduate student at George Washington University, the exhibit provided a new perspective on the franchise. “I thought that they had a lot of information for someone who hasn’t watched the movies,” Tran said. She visited during spring break and found herself wanting to watch the films after seeing the cars on display. “My favorite car was the Aston Martin DB6 from Quantum of Solace. It was cool to see how Bond used it in an action scene.”

While the Bond films are filled with action-packed sequences featuring ejector seats and high-tech gadgets, real-world espionage is much more subtle. Bond in Motion highlights the creativity behind both fictional and real-life intelligence work. The exhibit reminds visitors that while 007’s adventures are thrilling, real spies rely more on intellect and strategy than gadgets and charm.

“A lot of people don’t realize this, but there is a big relationship between Hollywood and intelligence history,” said Lauren VonBechmann, the museum’s manager of exhibitions. “The imagination of coming up with gadgets from a Bond movie is the way some people come up with spy gadgets and vice versa. They kind of speak to each other really nicely.”

The exhibit explores how espionage and Hollywood influenced each other. “The imagination of coming up with gadgets from a Bond movie is similar to how some real-world spy gadgets are conceived,” VonBechmann explained. “They inspire one another, blurring the lines between fiction and reality.”

Bran expressed excitement about the museum’s future exhibits. “We have exciting opportunities coming up and are talking about our next special exhibit,” she said. “I think it’s going to be really incredible. It’s created by our own hands and [we] will be developing it from scratch ourselves.”

VonBechmann also shared some challenges in curating the exhibit. “I think the hardest part of curating the Bond in Motion exhibit was the space,” she said. “The vehicles do a really great job at encapsulating this timeline of what Bond is.” She added that her favorite part of the collection was the first-edition books by Ian Fleming. “You get to see where the Bond movies all began.” 

The museum’s next special exhibit is set to open in March 2026. The Bond in Motion runs through September 2025, inviting visitors to step into the world of espionage — just be careful not to blow your cover.

Emma Schaible/Fourth Estate

BY KATIE PERSCHAU, STAFF WRITER

Last week, I walked into my last class of the day anticipating the typical lesson. I ducked through the sea of green swivel chairs to find a seat near the back, sat down and pulled out my obnoxiously yellow notebook. All around me, dozens of glowing screens dotted the room, and the clacking sound of hundreds of keys applauded the start of the lecture. 

However, just as my peers and I settled into our note taking routine, we were confronted with an unexpected request. The professor demanded we “take out a piece of paper.” 

After the initial shock faded, the helpless glances of my computer-wielding counterparts fell on their saving grace: my notebook. I fielded requests to borrow a piece of paper, and as my inventory dwindled the professor moved on with the activity. 

I was happy to save the day, but the event left me wondering when writing notes on paper became so rare, and whether the digital age has phased out the need for putting pen to paper entirely.

Handwriting is making a comeback in primary education, with many state laws requiring elementary schools to teach cursive in recent years. In college, however, the use of handwriting still seems rare. Many students choose to take notes on computers and tablets, and professors rarely assign work on paper. While using only digital devices may be more convenient, the practice of printing letters should not trail off after elementary school.

Handwriting—specifically cursive writing—has many cognitive benefits. The National Education Association (NEA) said that advocates of cursive writing refer to studies that reveal it “not only improves retention and comprehension, it engages the brain on a deep level as students learn to join letters in a continuous flow.” 

Additionally, The Guardian wrote that writing notes by hand teaches students to use proper grammar and spelling without the interference of spell-check, which can improve communication. College students are preparing to enter the workforce, and good communication skills are essential to acing interviews and making good impressions. 

Many opponents of the art of cursive and handwriting say it is an outdated practice that is not necessary in the digital age. While using technology has many benefits of its own, a study published by Frontiers in Psychology agreed that both digital and handwritten learning methods are needed for an optimal learning environment, and the strengths of both should be examined in classrooms. 

I believe college students should consider writing class notes in a notebook while continuing to complete homework assignments and papers on a computer. Since handwriting helps improve memory and typing is more efficient, the hybrid learning method includes the best parts of the lost art of penmanship and the practicality of modern technology. 

We live in a world flooded with distractions. Students notice that constant phone vibrations and computer alerts draw their attention from class activities. When taking notes on a computer, it is tempting to switch tabs or respond to emails instead of keeping up with the notes. By switching from a laptop to pen and paper, students lower the chance of distractions in class, which makes focusing easier. 

Handwriting in school might not be as popular as it was in the past, but it is clear that because it increases memory retention, improves grammar and spelling and reduces distractions, it should not be abandoned in college classrooms. 

I will continue graciously doling out my extra paper when the need arises, but in the future, I hope to see more of my classmates eager to write on by hand.

Viviana Smith/Fourth Estate

BY VIVIANA SMITH, SENIOR STAFF REPORTER

A day before Polish composer Frédéric Chopin’s 215th birthday, hundreds gathered in the wooded orchestra hall of the National Philharmonic at Strathmore to celebrate and appreciate multiple works of the late composer performed by renowned pianist Brian Ganz. 

On Feb. 28, the National Philharmonic hosted Ganz’s “Extreme Chopin Project” for the 14th annual recital. The project is a major “quest” in Ganz’s career to perform all of Chopin’s works, according to Katie Drozynski, director of marketing at the National Philharmonic. Drozynski shared that the annual event is highly anticipated by patrons. The most recent performance sold  nearly every seat in the house. 

Patrons packed into the narrow seats of the concert hall. The audience varied greatly in age, both old and young, and they crammed together awaiting the performance. Late arrivals quietly flowed in as Jim Kelly, president of the National Philharmonic, prefaced the concert with a reminder of the beauty in the arts. 

While the shared love for music and the arts brought many into the theater, Chopin’s works left a long-lasting impact on history and music culture, drawing in an eager crowd. Key speakers echoed Chopin’s accomplishments with pride.

Following Kelly’s opening statement, the U.S. Embassy of Poland’s Deputy Head of Mission Adam Krzywosądzk highlighted Chopin’s impact on Poland. Referring to Chopin as “one of Poland’s greatest cultural treasures,” Krzywosądzk praised his works as symbols of resilience and courage in addition to being beautifully melodic. 

“Chopin’s works resonated deeply with the Polish people during our struggles for independence,” he said. “His music also served as a social strength throughout subsequent fights for freedom.” 

According to Chopin’s Britannica webpage, the works of Chopin were heavily influenced by the “glories and sufferings” of Poland. “[Chopin] sang of his own land, of his own people and he communicated the spirit of Poland to the rest of the world through the language he spoke so eloquently,” according to The American Institute of Polish Culture Inc.

Krzywosądzk described the various historical moments of Polish resistance but was cut off by a thunderous wave of applause and cheering. 

When Ganz stepped on stage, the audience greeted him with applause and smiles. Beginning with 4 Mazurkas, Op. 68, Ganz played with passion. The pianist switched from soft, flowing notes to swift, powerful strikes, shifting the intensity within each piece. As he paused between compositions, the air was still with anticipation for his next note.

It was as if Ganz was in his own world. Under the beaming stage lights, he hunched over the keys, his hands gently gliding left to right. His emotion with every note was infectious, as a woman on the balcony above continuously wiped her teary eyes throughout the evening. 

Between songs, Ganz pulled away from the piano to breathe and speak with the audience. Ganz discussed the “Extreme Chopin project,” recounted Chopin’s complex history and shared his love for music. “It feels much more like a conversation between artist and audience,” Drozynki said. “I think our patrons really love to feel his passion… It’s just contagious.”

Ganz performed alongside two guest artists, including flutist Julietta Curenton and pianist Alon Goldstein. Each artist beamed with passion, their eyes fixed on their sheet music. The only time they looked away was to exchange happy glances or close their eyes, disappearing to an orchestral-plane surrounded by melodious notes. 

The emotional connection to music was a recurring theme of the night. For some patrons, these feelings were undeniable. Utah-born Caroline Alder Pierson explained that Chopin’s music brings her a sense of nostalgia, as it reminds her of her late father. Her father, a classically trained pianist and Chopin fan, would wake her up to the sounds of Chopin every morning at 6 a.m. “[The performance] brought so much back to me,” she shared, smiling. “Chopin was always my favorite. He played it beautifully.” 

As the concert neared its finale, Ganz reminded the audience of the passion and strength one can find in music and how Chopin’s works reflect that. He referenced current political challenges, acknowledging that times are difficult for many. “I hope that tonight has been comforting and a solace for those of you who may be afraid,” Ganz said, pausing as the audience applauded. “May music continue to be a haven for all of us through challenging times.”

Ganz continued this point in an interview after the concert, sharing that Chopin’s music comes from the heart—something he believes the world needs more of.

“ I think we need more heart and less head in the world right now,” he said. “We need emotion, we need love…these are all things that, for me, abound in Chopin’s music.”

Austin Diaz/ Fourth Estate

BY AUSTIN DIAZ, STAFF WRITER

It was a cool, winter night. My sister and I were watching Disney Channel’s Austin and Ally on the family room’s television. My parents were in the kitchen when they heard a knock at the door. The man who appeared on our front steps asked, “Can we speak to Wilmer Diaz?” Beyond the door, my dad was, now, kneeling and being handcuffed. At that moment, all I felt was fear, as  I cried to my grandmother while looking out the window, seeing flashlights on the side of my dads work van as they searched my father for gang tattoos. 

This isn’t a unique story, at present many children of immigrants are experiencing a similar story. At young ages, children were witness to their parents being taken into the U.S. Immigration and Customs Enforcement (ICE)’s custody without knowing when they would see them again. 

With the election of President Donald Trump, this fear is propagated. 

Today, ICE raids are happening nationwide due to President Trump’s executive orders signed within his first month in office.  Despite this, the immigrant community did not expect ICE to arrive at safe havens such as Fairfax County public schools, community shelters, churches and Mason’s Fairfax campus. 

On Jan. 20, Trump announced the immediate launch of an immigration crackdown, in sanctuary cities such as New York City and Chicago.

It directly affects the District of Columbia, Maryland, Virginia metropolitan area with the estimated number of immigrants being 95.4 thousand people in 2023 alone, equating to 14.1% of the population. It amplifies the fear of ICE raids and deportations in the area and in places I call home.

Virginia Governor Glen Youngkin also signed an executive order to permit state law enforcement, corrections officers and local government to assist and cooperate with federal immigration enforcement. 

Worry increased when ICE agents were spotted in the DMV area during January. Plus, the detention of undocumented immigrants has been rampant with two accounts of arrests made.

Another arrest of seven undocumented immigrants occurred on Feb. 12, in Annandale, 15 minutes from the Fairfax campus. While raids haven’t happened in Fairfax, places such as Herdon, Reston and Falls Church have seen otherwise. With this being an area where many undocumented immigrant communities reside and where a large number of commuter students come to Mason, the potential of raids occuring hangs over all student’s heads.

The number of undocumented immigrant students are currently unknown. One Mason club called “Undocumason” has a total of 2,336 followers on Instagram. The organization, tailored towards the Hispanic and Latino community, have dispersed “red card” guides, to assist with interactions with ICE. It’s something I wish I knew when dad was taken into custody and ICE detention. 

My story is not the first nor the last, but it’s one of many stories needing to be heard. While my father’s legal status is no longer an issue, my campus friends are in a different boat.  People’s safety and trauma is a barrier for people to share these stories.  It’s the exact reason why I will tell my story and fight for my friends and family here in America. I fight with every breath so that we don’t live in fear any longer.